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The mental features discoursed of as the analytical, are, in
themselves, but little susceptible of analysis. We appreciate them
only in their effects. We know of them, among other things, that they
are always to their possessor, when inordinately possessed, a source
of the liveliest enjoyment. As the strong man exults in his physical
ability, delighting in such exercises as call his muscles into
action, so glories the analyst in that moral activity which
disentangles. He derives pleasure from even the most trivial
occupations bringing his talent into play. He is fond of enigmas, of
conundrums, of hieroglyphics; exhibiting in his solutions of each a
degree of acumen which appears to the ordinary apprehension
præternatural. His results, brought about by the very soul and
essence of method, have, in truth, the whole air of intuition.
The faculty of re-solution is possibly much invigorated by
mathematical study, and especially by that highest branch of it
which, unjustly, and merely on account of its retrograde operations,
has been called, as if par excellence, analysis. Yet to calculate
is not in itself to analyse. A chess-player, for example, does the
one without effort at the other. It follows that the game of chess,
in its effects upon mental character, is greatly misunderstood. I am
not now writing a treatise, but simply prefacing a somewhat peculiar
narrative by observations very much at random; I will, therefore,
take occasion to assert that the higher powers of the reflective
intellect are more decidedly and more usefully tasked by the
unostentatious game of draughts than by a the elaborate frivolity of
chess. In this latter, where the pieces have different and bizarre
motions, with various and variable values, what is only complex is
mistaken (a not unusual error) for what is profound. The attention
is here called powerfully into play. If it flag for an instant, an
oversight is committed resulting in injury or defeat. The possible
moves being not only manifold but involute, the chances of such
oversights are multiplied; and in nine cases out of ten it is the
more concentrative rather than the more acute player who conquers. In
draughts, on the contrary, where the moves are unique and have but
little variation, the probabilities of inadvertence are diminished,
and the mere attention being left comparatively unemployed, what
advantages are obtained by either party are obtained by superior
acumen. To be less abstract - Let us suppose a game of draughts
where the pieces are reduced to four kings, and where, of course, no
oversight is to be expected. It is obvious that here the victory can
be decided (the players being at all equal) only by some recherché
movement, the result of some strong exertion of the intellect.
Deprived of ordinary resources, the analyst throws himself into the
spirit of his opponent, identifies himself therewith, and not
un-frequently sees thus, at a glance, the sole methods (sometime
indeed absurdly simple ones) by which he may seduce into error or
hurry into miscalculation.
Whist has long been noted for its influence upon what is termed the
calculating power; and men of the highest order of intellect have
been known to take an apparently unaccountable delight in it, while
eschewing chess as frivolous. Beyond doubt there is nothing of a
similar nature so greatly tasking the faculty of analysis. The best
chess-player in Christendom may be little more than the best player
of chess; but proficiency in whist implies capacity for success in
all those more important undertakings where mind struggles with mind.
When I say proficiency, I mean that perfection in the game which
includes a comprehension of all the sources whence legitimate
advantage may be derived. These are not only manifold but multiform,
and lie frequently among recesses of thought altogether inaccessible
to the ordinary understanding. To observe attentively is to remember
distinctly; and, so far, the concentrative chess-player will do very
well at whist; while the rules of Hoyle (themselves based upon the
mere mechanism of the game) are sufficiently and generally
comprehensible. Thus to have a retentive memory, and to proceed by
"the book," are points commonly regarded as the sum total of good
playing. But it is in matters beyond the limits of mere rule that the
skill of the analyst is evinced. He makes, in silence, a host of
observations and inferences. So, perhaps, do his companions; and the
difference in the extent of the information obtained, lies not so
much in the validity of the inference as in the quality of the
observation. The necessary knowledge is that of what to observe.
Our player confines himself not at all; nor, because the game is the
object, does he reject deductions from things external to the game.
He examines the countenance of his partner, comparing it carefully
with that of each of his opponents. He considers the mode of
assorting the cards in each hand; often counting trump by trump, and
honour by honour, through the glances bestowed by their holders upon
each. He notes every variation of face as the play progresses,
gathering a fund of thought from the differences in the expression of
certainty, of surprise, of triumph, or of chagrin. From the manner of
gathering up a trick he judges whether the person taking it can make
another in the suit. He recognises what is played through feint, by
the air with which it is thrown upon the table. A casual or
inadvertent word; the accidental dropping or turning of a card, with
the accompanying anxiety or carelessness in regard to its
concealment; the counting of the tricks, with the order of their
arrangement; embarrassment, hesitation, eagerness or trepidation -
all afford, to his apparently intuitive perception, indications of
the true state of affairs. The first two or three rounds having been
played, he is in full possession of the contents of each hand, and
thenceforward puts down his cards with as absolute a precision of
purpose as if the rest of the party had turned outward the faces of
their own.
The analytical power should not be confounded with ample ingenuity;
for while the analyst is necessarily ingenious, the ingenious man is
often remarkably incapable of analysis. The constructive or combining
power, by which ingenuity is usually manifested, and to which the
phrenologists (I believe erroneously) have assigned a separate organ,
supposing it a primitive faculty, has been so frequently seen in
those whose intellect bordered otherwise upon idiocy, as to have
attracted general observation among writers on morals. Between
ingenuity and the analytic ability there exists a difference far
greater, indeed, than that between the fancy and the imagination, but
of a character very strictly analogous. It will be found, in fact,
that the ingenious are always fanciful, and the truly imaginative
never otherwise than analytic.
The narrative which follows will appear to the reader somewhat in the
light of a commentary upon the propositions just advanced.
Residing in Paris during the spring and part of the summer of 18--, I
there became acquainted with a Monsieur C. Auguste Dupin. This young
gentleman was of an excellent - indeed of an illustrious family, but,
by a variety of untoward events, had been reduced to such poverty
that the energy of his character succumbed beneath it, and he ceased
to bestir himself in the world, or to care for the retrieval of his
fortunes. By courtesy of his creditors, there still remained in his
possession a small remnant of his patrimony; and, upon the income
arising from this, he managed, by means of a rigorous economy, to
procure the necessaries of life, without troubling himself about its
superfluities. Books, indeed, were his sole luxuries, and in Paris
these are easily obtained.
Our first meeting was at an obscure library in the Rue Montmartre,
where the accident of our both being in search of the same very rare
and very remarkable volume, brought us into closer communion. We saw
each other again and again. I was deeply interested in the little
family history which he detailed to me with all that candour which a
Frenchman indulges whenever mere self is his theme. I was astonished,
too, at the vast extent of his reading; and, above all, I felt my
soul enkindled within me by the wild fervour, and the vivid freshness
of his imagination. Seeking in Paris the objects I then sought, I
felt that the society of such a man would be to me a treasure beyond
price; and this feeling I frankly confided to him. It was at length
arranged that we should live together during my stay in the city; and
as my worldly circumstances were somewhat less embarrassed than his
own, I was permitted to be at the expense of renting, and furnishing
in a style which suited the rather fantastic gloom of our common
temper, a time-eaten and grotesque mansion, long deserted through
superstitions into which we did not inquire, and tottering to its
fall in a retired and desolate portion of the Faubourg St. Germain.
Had the routine of our life at this place been known to the world, we
should have been regarded as madmen - although, perhaps, as madmen of
a harmless nature. Our seclusion was perfect. We admitted no
visitors. Indeed the locality of our retirement had been carefully
kept a secret from my own former associates; and it had been many
years since Dupin had ceased to know or be known in Paris. We existed
within ourselves alone.
It was a freak of fancy in my friend (for what else shall I call it?)
to be enamoured of the Night for her own sake; and into this
bizarrerie, as into all his others, I quietly fell; giving myself
up to his wild whims with a perfect abandon. The sable divinity
would not herself dwell with us always; but we could counterfeit her
presence. At the first dawn of the morning we closed all the messy
shutters of our old building; lighting a couple of tapers which,
strongly perfumed, threw out only the ghastliest and feeblest of
rays. By the aid of these we then busied our souls in dreams -
reading, writing, or conversing, until warned by the clock of the
advent of the true Darkness. Then we sallied forth into the streets
arm in arm, continuing the topics of the day, or roaming far and wide
until a late hour, seeking, amid the wild lights and shadows of the
populous city, that infinity of mental excitement which quiet
observation can afford.
At such times I could not help remarking and admiring (although from
his rich ideality I had been prepared to expect it) a peculiar
analytic ability in Dupin. He seemed, too, to take an eager delight
in its exercise - if not exactly in its display - and did not
hesitate to confess the pleasure thus derived. He boastedto me, with
a low chuckling laugh, that most men, in respect to himself, wore
windows in their bosoms, and was wont to follow up such assertions by
direct and very startling proofs of his intimate knowledge of my own.
His manner at these moments was frigid and abstract; his eyes were
vacant in expression; while his voice, usually a rich tenor, rose
into a treble which would have sounded petulantly but for the
deliberateness and entire distinctness of the enunciation. Observing
him in these moods, I often dwelt meditatively upon the old
philosophy of the Bi-Part Soul, and amused myself with the fancy of a
double Dupin - the creative and the resolvent.
Let it not be supposed, from what I have just said, that I am
detailing any mystery, or penning any romance. What I have described
in the Frenchman, was merely the result of an excited, or perhaps of
a diseased intelligence. But of the character of his remarks at the
periods in question an example will best convey the idea.
We were strolling one night down a long dirty street in the vicinity
of the Palais Royal. Being both, apparently, occupied with thought,
neither of us had spoken a syllable for fifteen minutes at least. All
at once Dupin broke forth with these words:
"He is a very little fellow, that's true, and would do better for the
Théâtre des Variétés."
"There can be no doubt of that," I replied unwittingly, and not at
first observing (so much had I been absorbed in reflection) the
extraordinary manner in which the speaker had chimed in with my
meditations. In an instant afterward I recollected myself, and my
astonishment was profound.
"Dupin," said I, gravely, "this is beyond my comprehension. I do not
hesitate to say that I am amazed, and can scarcely credit my senses.
How was it possible you should know I was thinking of xxx ?" Here I
paused, to ascertain beyond a doubt whether he really knew of whom I
thought.
"of Chantilly," said he, "why do you pause? You were remarking to
yourself that his diminutive figure unfitted him for tragedy."
This was precisely what had formed the subject of my reflections.
Chantilly was a quondam cobbler of the Rue St. Denis, who, becoming
stage-mad, had attempted the role of Xerxes, in Crébillon's tragedy
so called, and been notoriously Pasquinaded for his pains.
"Tell me, for Heaven's sake," I exclaimed, "the method - if method
there is - by which you have been enabled to fathom my soul in this
matter." In fact I was even more startled than I would have been
willing to express.
"It was the fruiterer," replied my friend, "who brought you to the
conclusion that the mender of soles was not of sufficient height for
Xerxes et id genus omne."
"The fruiterer! - you astonish me - I know no fruiterer whomsoever."
"The man who ran up against you as we entered the street - it may
have been fifteen minutes ago."
I now remembered that, in fact, a fruiterer, carrying upon his head a
large basket of apples, had nearly thrown me down, by accident, as we
passed from the Rue C ---- into the thoroughfare where we stood; but
what this had to do with Chantilly I could not possibly understand.
There was not a particle of charlâtanerie about Dupin. "I will
explain," he said, "and that you may comprehend all clearly, we will
first retrace the course of your meditations, from the moment in
which I spoke to you until that of the rencontre with the fruiterer
in question. The larger links of the chain run thus - Chantilly,
Orion, Dr. Nichols, Epicurus, Stereotomy, the street stones, the
fruiterer."
There are few persons who have not, at some period of their lives,
amused themselves in retracing the steps by which particular
conclusions of their own minds have been attained. The occupation is
often full of interest and he who attempts it for the first time is
astonished by the apparently illimitable distance and incoherence
between the starting-point and the goal. What, then, must have been
my amazement when I heard the Frenchman speak what he had just
spoken, and when I could not help acknowledging that he had spoken
the truth. He continued:
"We had been talking of horses, if I remember aright, just before
leaving the Rue C xxx . This was the last subject we discussed. As
we crossed into this street, a fruiterer, with a large basket upon
his head, brushing quickly past us, thrust you upon a pile of paving
stones collected at a spot where the causeway is undergoing repair.
You stepped upon one of the loose fragments, slipped, slightly
strained your ankle, appeared vexed or sulky, muttered a few words,
turned to look at the pile, and then proceeded in silence. I was not
particularly attentive to what you did; but observation has become
with me, of late, a species of necessity.
"You kept your eyes upon the ground - glancing, with a petulant
expression, at the holes and ruts in the pavement, (so that I saw you
were still thinking of the stones,) until we reached the little alley
called Lamartine, which has been paved, by way of experiment, with
the overlapping and riveted blocks. Here your countenance brightened
up, and, perceiving your lips move, I could not doubt that you
murmured the word 'stereotomy,' a term very affectedly applied to
this species of pavement. I knew that you could not say to yourself
'stereotomy' without being brought to think of atomies, and thus of
the theories of Epicurus; and since, when we discussed this subject
not very long ago, I mentioned to you how singularly, yet with how
little notice, the vague guesses of that noble Greek had met with
confirmation in the late nebular cosmogony, I felt that you could not
avoid casting your eyes upward to the great nebula in Orion, and I
certainly expected that you would do so. You did look up; and I was
now assured that I had correctly followed your steps. But in that
bitter tirade upon Chantilly, which appeared in yesterday's
'Musée,' the satirist, making some disgraceful allusions to the
cobbler s change of name upon assuming the buskin, quoted a Latin
line about which we have often conversed. I mean the line
Perdidit antiquum litera sonum.
I had told you that this was in reference to Orion, formerly written
Urion; and, from certain pungencies connected with this explanation,
I was aware that you could not have forgotten it. It was clear,
therefore, that you would not fail to combine the two ideas of Orion
and Chantilly. That you did combine them I saw by the character of
the smile which passed over your lips. You thought of the poor
cobbler's immolation. So far, you had been stooping in your gait; but
now I saw you draw yourself up to your full height. I was then sure
that you reflected upon the diminutive figure of Chantilly. At this
point I interrupted your meditations to remark that as, in fact, be
was a very little fellow - that Chantilly - he would do better at the
Théâtre des Variétés."
Not long after this, we were looking over an evening edition of the
"Gazette des Tribunaux," when the following paragraphs arrested our
attention.
"EXTRAORDINARY MURDERS. - This morning, about three o'clock, the
inhabitants of the Quartier St. Roch were aroused from sleep by a
succession of terrific shrieks, issuing, apparently, from the fourth
story of a house in the Rue Morgue, known to be in the sole occupancy
of one Madame L'Espanaye, and her daughter Mademoiselle Camille
L'Espanaye. After some delay, occasioned by a fruitless attempt to
procure admission in the usual manner, the gateway was broken in with
a crowbar, and eight or ten of the neighbours entered accompanied by
two gendarmes. By this time the cries had ceased; but, as the party
rushed up the first flight of stairs, two or more rough voices in
angry contention were distinguished and seemed to proceed from the
upper part of the house. As the second landing was reached, these
sounds, also, had ceased and everything remained perfectly quiet. The
party spread themselves and hurried from room to room. Upon arriving
at a large back chamber in the fourth story, (the door of which,
being found locked, with the key inside, was forced open,) a
spectacle presented itself which struck every one present not less
with horror than with astonishment.
"The apartment was in the wildest disorder - the furniture broken and
thrown about in all directions. There was only one bedstead; and from
this the bed had been removed, and thrown into the middle of the
floor. On a chair lay a razor, besmeared with blood. On the hearth
were two or three long and thick tresses of grey human hair, also
dabbled in blood, and seeming to have been pulled out by the roots.
Upon the floor were found four Napoleons, an ear-ring of topaz, three
large silver spoons, three smaller of métal d'Alger, and two bags,
containing nearly four thousand francs in gold. The drawers of a
bureau, which stood in one corner were open, and had been,
apparently, rifled, although many articles still remained in them. A
small iron safe was discovered under the bed (not under the
bedstead). It was open, with the key still in the door. It had no
contents beyond a few old letters, and other papers of little
consequence.
"Of Madame L'Espanaye no traces were here seen; but an unusual
quantity of soot being observed in the fire-place, a search was made
in the chimney, and (horrible to relate!) the; corpse of the
daughter, head downward, was dragged there-from; it having been thus
forced up the narrow aperture for a considerable distance. The body
was quite warm. Upon examining it, many excoriations were perceived,
no doubt occasioned by the violence with which it had been thrust up
and disengaged. Upon the face were many severe scratches, and, upon
the throat, dark bruises, and deep indentations of finger nails, as
if the deceased had been throttled to death.
"After a thorough investigation of every portion of the house,
without farther discovery, the party made its way into a small paved
yard in the rear of the building, where lay the corpse of the old
lady, with her throat so entirely cut that, upon an attempt to raise
her, the head fell off. The body, as well as the head, was fearfully
mutilated - the former so much so as scarcely to retain any semblance
of humanity.
"To this horrible mystery there is not as yet, we believe, the
slightest clew."
The next day's paper had these additional particulars.
"The Tragedy in the Rue Morgue. Many individuals have been examined
in relation to this most extraordinary and frightful affair. [The
word 'affaire' has not yet, in France, that levity of import which it
conveys with us,] "but nothing whatever has transpired to throw light
upon it. We give below all the material testimony elicited.
"Pauline Dubourg, laundress, deposes that she has known both the
deceased for three years, having washed for them during that period.
The old lady and her daughter seemed on good terms - very
affectionate towards each other. They were excellent pay. Could not
speak in regard to their mode or means of living. Believed that
Madame L. told fortunes for a living. Was reputed to have money put
by. Never met any persons in the house when she called for the
clothes or took them home. Was sure that they had no servant in
employ. There appeared to be no furniture in any part of the building
except in the fourth story.
"Pierre Moreau, tobacconist, deposes that he has been in the habit
of selling small quantities of tobacco and snuff to Madame L'Espanaye
for nearly four years. Was born in the neighbourhood, and has always
resided there. The deceased and her daughter had occupied the house
in which the corpses were found, for more than six years. It was
formerly occupied by a jeweller, who under-let the upper rooms to
various persons. The house was the property of Madame L. She became
dissatisfied with the abuse of the premises by her tenant, and moved
into them herself, refusing to let any portion. The old lady was
childish. Witness had seen the daughter some five or six times during
the six years. The two lived an exceedingly retired life - were
reputed to have money. Had heard it said among the neighbors that
Madame L. told fortunes - did not believe it. Had never seen any
person enter the door except the old lady and her daughter, a porter
once or twice, and a physician some eight or ten times.
"Many other persons, neighbours, gave evidence to the same effect. No
one was spoken of as frequenting the house. It was not known whether
there were any living connexions of Madame L. and her daughter. The
shutters of the front windows were seldom opened. Those in the rear
were always closed, with the exception of the large back room, fourth
story. The house was a good house - not very old.
"Isidore Muset, gendarme, deposes that he was called to the house
about three o'clock in the morning, and found some twenty or thirty
persons at the gateway, endeavouring to gain admittance. Forced it
open, at length, with a bayonet - not with a crowbar. Had but little
difficulty in getting it open, on account of its being a double or
folding gate, and bolted neither at bottom not top. The shrieks were
continued until the gate was forced - and then suddenly ceased. They
seemed to be screams of some person (or persons) in great agony -
were loud and drawn out, not short and quick. Witness led the way up
stairs. Upon reaching the first landing, heard two voices in loud and
angry contention - the one a gruff voice, the other much shriller - a
very strange voice. Could distinguish some words of the former, which
was that of a Frenchman. Was positive that it was not a woman's
voice. Could distinguish the words 'sacré' and 'diable.' The
shrill voice was that of a foreigner. Could not be sure whether it
was the voice of a man or of a woman. Could not make out what was
said, but believed the language to be Spanish. The state of the room
and of the bodies was described by this witness as we described them
yesterday.
"Henri Duval, a neighbour, and by trade a silver-smith, deposes that
he was one of the party who first entered the house. Corroborates the
testimony of Musèt in general. As soon as they forced an entrance,
they re-closed the door, to keep out the crowd, which collected very
fast, notwithstanding the lateness of the hour. The shrill voice,
this witness thinks, was that of an Italian. Was certain it was not
French. Could not be sure that it was a man's voice. It might have
been a woman's. Was not acquainted with the Italian language. Could
not distinguish the words, but was convinced by the intonation that
the speaker was an Italian. Knew Madame L. and her daughter. Had
conversed with both frequently. Was sure that the shrill voice was
not that of either of the deceased.
"-- Odenheimer, restaurateur. This witness volunteered his
testimony. Not speaking French, was examined through an interpreter.
Is a native of Amsterdam. Was passing the house at the time of the
shrieks. They lasted for several minutes - probably ten. They were
long and loud - very awful and distressing. Was one of those who
entered the building. Corroborated the previous evidence in every
respect but one. Was sure that the shrill voice was that of a man -
of a Frenchman. Could not distinguish the words uttered. They were
loud and quick - unequal - spoken apparently in fear as well as in
anger. The voice was harsh - not so much shrill as harsh. Could not
call it a shrill voice. The gruff voice said repeatedly 'sacré,'
'diable,' and once 'mon Dieu.'
"Jules Mignaud, banker, of the firm of Mignaud et Fils, Rue
Deloraine. Is the elder Mignaud. Madame L'Espanaye had some property.
Had opened an account with his banking house in the spring of the
year - (eight years previously). Made frequent deposits in small
sums. Had checked for nothing until the third day before her death,
when she took out in person the sum of 4000 francs. This sum was paid
in gold, and a clerk went home with the money.
"Adolphe Le Bon, clerk to Mignaud et Fils, deposes that on the day
in question, about noon, he accompanied Madame L'Espanaye to her
residence with the 4000 francs, put up in two bags. Upon the door
being opened, Mademoiselle L. appeared and took from his hands one of
the bags, while the old lady relieved him of the other. He then bowed
and departed. Did not see any person in the street at the time. It is
a bye-street - very lonely.
"William Bird, tailor deposes that he was one of the party who
entered the house. Is an Englishman. Has lived in Paris two years.
Was one of the first to ascend the stairs. Heard the voices in
contention. The gruff voice was that of a Frenchman. Could make out
several words, but cannot now remember all. Heard distinctly
'sacré' and 'mon Dieu.' There was a sound at the moment as if of
several persons struggling - a scraping and scuffling sound. The
shrill voice was very loud - louder than the gruff one. Is sure that
it was not the voice of an Englishman. Appeared to be that of a
German. Might have been a woman's voice. Does not understand German.
"Four of the above-named witnesses, being recalled, deposed that the
door of the chamber in which was found the body of Mademoiselle L.
was locked on the inside when the party reached it. Every thing was
perfectly silent - no groans or noises of any kind. Upon forcing the
door no person was seen. The windows, both of the back and front
room, were down and firmly fastened from within. A door between the
two rooms was closed, but not locked. The door leading from the front
room into the passage was locked, with the key on the inside. A small
room in the front of the house, on the fourth story, at the head of
the passage was open, the door being ajar. This room was crowded with
old beds, boxes, and so forth. These were carefully removed and
searched. There was not an inch of any portion of the house which was
not carefully searched. Sweeps were sent up and down the chimneys.
The house was a four story one, with garrets. A
trap-door on the roof was nailed down very securely - did not appear
to have been opened for years. The time elapsing between the hearing
of the voices in contention and the breaking open of the room door,
was variously stated by the witnesses. Some made it as short as three
minutes - some as long as five. The door was opened with difficulty.
"Alfonzo Garcio, undertaker, deposes that he resides in the Rue
Morgue. Is a native of Spain. Was one of the party who entered the
house. Did not proceed up stairs. Is nervous, and was apprehensive of
the consequences of agitation. Heard the voices in contention. The
gruff voice was that of a Frenchman. Could not distinguish what was
said. The shrill voice was that of an Englishman - is sure of this.
Does not understand the English language, but judges by the
intonation.
"Alberto Montani, confectioner, deposes that he was among the first
to ascend the stairs. Heard the voices in question. The gruff voice
was that of a Frenchman. Distinguished several words. The speaker
appeared to be expostulating. Could not make out the words of the
shrill voice. Spoke quick and unevenly. Thinks it the voice of a
Russian. Corroborates the general testimony. Is an Italian. Never
conversed with a native of Russia.
"Several witnesses, recalled, here testified that the chimneys of all
the rooms on the fourth story were too narrow to admit the passage of
a human being. By 'sweeps' were meant cylindrical sweeping brushes,
such as are employed by those who clean chimneys. These brushes were
passed up and down every flue in the house. There is no back passage
by which any one could have descended while the party proceeded up
stairs. The body of Mademoiselle L'Espanaye was so firmly wedged in
the chimney that it could not be got down until four or five of the
party united their strength.
"Paul Dumas, physician, deposes that he was called to view the
bodies about day-break. They were both then lying on the sacking of
the bedstead in the chamber where Mademoiselle L. was found. The
corpse of the young lady was much bruised and excoriated. The fact
that it had been thrust up the chimney would sufficiently account for
these appearances. The throat was greatly chafed. There were several
deep scratches just below the chin, together with a series of livid
spots which were evidently the impression of fingers. The face was
fearfully discoloured, and the eye-balls protruded. The tongue had
been partially bitten through. A large bruise was discovered upon the
pit of the stomach, produced, apparently, by the pressure of a knee.
In the opinion of M. Dumas, Mademoiselle L'Espanaye had been
throttled to death by some person or persons unknown. The corpse of
the mother was horribly mutilated. All the bones of the right leg and
arm were more or less shattered. The left tibia much splintered, as
well as all the ribs of the left side. Whole body dreadfully bruised
and discoloured. It was not possible to say how the injuries had been
inflicted. A heavy club of wood, or a broad bar of iron - a chair -
any large, heavy, and obtuse weapon would have produced such results,
if wielded by the hands of a very powerful man. No woman could have
inflicted the blows with any weapon. The head of the deceased, when
seen by witness, was entirely separated from the body, and was also
greatly shattered. The throat had evidently been cut with some very
sharp instrument - probably with a razor.
"Alexandre Etienne, surgeon, was called with M. Dumas to view the
bodies. Corroborated the testimony, and the opinions of M. Dumas.
"Nothing farther of importance was elicited, although several other
persons were examined. A murder so mysterious, and so perplexing in
all its particulars, was never before committed in Paris - if indeed
a murder has been committed at all. The police are entirely at fault
- an unusual occurrence in affairs of this nature. There is not,
however, the shadow of a clew apparent."
The evening edition of the paper stated that the greatest excitement
still continued in the Quartier St. Roch - that the premises in
question had been carefully re-searched, and fresh examinations of
witnesses instituted, but all to no purpose. A postscript, however,
mentioned that Adolphe Le Bon had been arrested and imprisoned -
although nothing appeared to criminate him, beyond the facts already
detailed.
Dupin seemed singularly interested in the progress of this affair --
at least so I judged from his manner, for he made no comments. It was
only after the announcement that Le Bon had been imprisoned, that he
asked me my opinion respecting the murders.
I could merely agree with all Paris in considering them an insoluble
mystery. I saw no means by which it would be possible to trace the
murderer.
"We must not judge of the means," said Dupin, "by this shell of an
examination. The Parisian police, so much extolled for acumen, are
cunning, but no more. There is no method in their proceedings, beyond
the method of the moment. They make a vast parade of measures; but,
not un-frequently, these are so ill adapted to the objects proposed,
as to put us in mind of Monsieur Jourdain's calling for his
robe-de-chambre - pour mieux entendre la musique. The results
attained by them are not un-frequently surprising, but, for the most
part, are brought about by simple diligence and activity. When these
qualities are unavailing, their schemes fail. Vidocq, for example,
was a good guesser and a persevering man. But, without educated
thought, he erred continually by the very intensity of his
investigations. He impaired his vision by holding the object too
close. He might see, perhaps, one or two points with unusual
clearness, but in so doing he, necessarily, lost sight of the matter
as a whole. Thus there is such a thing as being too profound. Truth
is not always in a well. In fact, as regards the more important
knowledge, I do believe that she is invariably superficial. The depth
lies in the valleys where we seek her, and not upon the mountain-tops
where she is found. The modes and sources of this kind of error are
well typified in the contemplation of the heavenly bodies. To look at
a star by glances - to view it in a side-long way, by turning toward
it the exterior portions of the retina (more susceptible of feeble
impressions of light than the interior), is to behold the star
distinctly - is to have the best appreciation of its lustre - a
lustre which grows dim just in proportion as we turn our vision
fully upon it. A greater number of rays actually fall upon the eye
in the latter case, but, in the former, there is the more refined
capacity for comprehension. By undue profundity we perplex and
enfeeble thought; and it is possible to make even Venus herself
vanish from the firmament by a scrutiny too sustained, too
concentrated, or too direct.
"As for these murders, let us enter into some examinations for
ourselves, before we make up an opinion respecting them. An inquiry
will afford us amusement," [I thought this an odd term, so applied,
but said nothing] "and, besides, Le Bon once rendered me a service
for which I am not ungrateful. We will go and see the premises with
our own eyes. I know Gxxx, the Prefect of Police, and shall have no
difficulty in obtaining the necessary permission."
The permission was obtained, and we proceeded at once to the Rue
Morgue. This is one of those miserable thoroughfares which intervene
between the Rue Richelieu and the Rue St. Roch. It was late in the
afternoon when we reached it; as this quarter is at a great distance
from that in which we resided. The house was readily found; for there
were still many persons gazing up at the closed shutters, with an
objectless curiosity, from the opposite side of the way. It was an
ordinary Parisian house, with a gateway, on one side of which was a
glazed watch-box, with a sliding panel in the window, indicating a
loge de concierge. Before going in we walked up the street, turned
down an alley, and then, again turning, passed in the rear of the
building - Dupin, meanwhile examining the whole neighbourhood, as well
as the house, with a minuteness of attention for which I could see no
possible object.
Retracing our steps, we came again to the front of the dwelling,
rang, and, having shown our credentials, were admitted by the agents
in charge. We went up stairs - into the chamber where the body of
Mademoiselle L'Espanaye had been found, and where both the deceased
still lay. The disorders of the room had, as usual, been suffered to
exist. I saw nothing beyond what had been stated in the "Gazette des
Tribunaux." Dupin scrutinized every thing - not excepting the bodies
of the victims. We then went into the other rooms, and into the yard;
a gendarme accompanying us throughout. The examination occupied us
until dark, when we took our departure. On our way home my companion
stepped in for a moment at the office of one of the daily papers.
Click
Here for Part 2
The Murders in the Rue Morgue
Story
A Horror Story
by
Edgar Allen Poe
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